365 is a new piece of work about children who are looked after by the state. With humour, imagination and raw courage these children take their first faltering steps towards adulthood.
Created especially for the Edinburgh International Festival. Directed by Vicky Featherstone, written by David Harrower, and featuring an original song by Paul Buchanan of the Blue Nile.
The TEAM are New York's multi-tasking chroniclers of the Emerging American Moment.
Architecting is a time-bending multi-media musical which weaves through America's past and future to create a requiem for the modern USA.
Previous National Theatre of Scotland Fringe plays include last year's sell-out hit Venus as a Boy, and the sensational Black Watch.


Gregory Burke's explosive and award-winning play is heading for Dublin and returning to New York.
Theatrical space cadets, Wee Stories, blast off into rural Scotland in the autumn with a new tour and a show that has universal appeal.
Ray Bradbury's terrifying novel brought to spine-tingling life as a scary and magical adventure by the ever-inventive Catherine Wheels theatre company.
Welcome to National Theatre of Scotland
Introduction from Vicky Featherstone,
Artistic Director and Chief Executive
Since our launch in February 2006, over 230,000 people have sat in theatres, stood in woods or on ferries to see our work.
We think long into the night as to what might thrill, entertain, move and excite our audiences. What can we do that will coax you from your homes and encourage you to tell your friends and family to come with you?
This philosophy is made possible by our innovative building-free model, which means we can put on a great variety of work all over Scotland which we hope appeals to the hugely diverse individuals who make up our audience.
News and Features
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Reviews of Architecting
"Brilliant, witty . . . sensationally timely" The Scotsman * * * * * "Complex, daring and challenging" The Times * * * *
Reviews of Peeping at Bosch
"Mesmerisingly beautiful, hilariously wicked, meticulously crafted." The Herald * * * *
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