Katrina Lindsay’s work covers set and costume design in theatre, dance, opera and television.

Recent work includes: Harry Potter and the Cursed Child (West End, Broadway and worldwide). For the National Theatre, London: Set and costumes for Small Island, Hex, Three Sisters; and Costumes for The Lehman Trilogy (also West End, Park Avenue Armory and Broadway); Hamlet (Barbican); American Psycho (Almeida/Broadway); Bend It Like Beckham (West End).

Select previous Theatre includes: At the National Theatre, London: set and costumes for Mosquitoes, My Country; a work in progress, Dara, Behind the Beautiful Forevers, Table, The Magistrate, London Road, Death and the King’s Horseman; costumes for wonder.land, Earthquakes in London; and set for Market Boy. She designed costumes for 101 Dalmatians (Regent’s Park Open Air Theatre), Hamlet at the Barbican and Bend it Like Beckham in the West End (Olivier nomination). Other set and costume designs include Cabaret in the West End and on tour; A Midsummer Night’s Dream,The Comedy of Errors, and House of Desires (RSC); and See Me Now (Young Vic).

Costumes for opera include Benvenuto Cellini at ENO, Dutch National Opera, Opera National de Paris and Teatro dell’Opera di Roma; The Damnation of Faust at ENO, De Vlaamse Opera, Teatro Massimo, Palermo and Staatsoper Berlin; Eugene Onegin at the ROH, Opera Torino and Opera Australia; Turandot at ENO; and Die tote stadt for Finnish National Opera and New National Theatre, Tokyo. Dance includes The days run away like wild horses for Rambert; The King Dances for Birmingham Royal Ballet; The Most Incredible Thing at Sadler’s Wells. Katrina Lindsay was the production designer for the film London Road. She is an Associate of the National Theatre in London.

Awards include: Tony Award and Olivier Award for Outstanding Costume Design on Harry Potter and the Cursed Child; Tony, Outer Critics Circle and Drama Desk Award for Outstanding Costume Design for Les Liaisons Dangereuses on Broadway.