Katrina Lindsay’s work covers set and costume design in theatre, dance, opera and television. She won the 2018 Tony Award and 2017 Olivier Award for Outstanding Costume Design on Harry Potter and the Cursed Child and the 2008 Tony, Outer Critics Circle and Drama Desk awards for Outstanding Costume Design for Les Liaisons Dangereuses on Broadway. Designs for the National Theatre include set and costumes for Hex, Small Island, Three Sisters, Mosquitoes, My Country; a work in progress, Dara, Behind the Beautiful Forevers, Table, The Magistrate, London Road, Death and the King’s Horseman; costumes for The Lehman Trilogy, wonder.land, Earthquakes in London; and set for Market Boy. She designed costumes for Hamlet at the Barbican; and Bend it Like Beckham in the West End (Olivier nomination). Other set and costume designs include Cabaret in the West End and on tour and numerous shows for the RSC, including All’s Well That Ends Well. Costumes for opera include Benvenuto Cellini at ENO, Dutch National Opera, Opera National de Paris and Teatro dell’Opera di Roma; The Damnation of Faust at ENO, De Vlaamse Opera, Teatro Massimo, Palermo and Staatsoper Berlin; Eugene Onegin at the ROH, Opera Torino and Opera Australia; Turandot at ENO; and Die tote stadt for Finnish National Opera and New National Theatre, Tokyo. Dance includes The days run away like wild horses for Rambert; The King Dances for Birmingham Royal Ballet; The Most Incredible Thing at Sadler’s Wells. Katrina Lindsay was the production designer for the film London Road. She is an Associate of the National Theatre.