Ingrid Mackinnon is a London based movement director and choreographer.

Movement direction credits include: The Dead Body In Taos (Fuel Theatre), The Darkest Part of the Night (Kiln Theatre); Girl on an Altar (Kiln Theatre); Playboy of the West Indies (Birmingham Rep); The Meaning of Zong (Bristol Old Vic/UK Tour); Moreno (Theatre503); Red Riding Hood (Theatre Royal Stratford East); Antigone (Mercury Theatre); Romeo and Juliet (Regent’s Park Open Air Theatre - winner Black British Theatre Awards 2021 Best Choreography); Liminal – Le Gateau Chocolat (King’s Head Theatre); Liar Heretic Thief (Lyric Hammersmith); Reimagining Cacophony (Almeida Theatre); First Encounters: The Merchant Of Venice, Kingdom Come (RSC); Josephine (Theatre Royal Bath); Typical (Soho Theatre); #WeAreArrested (Arcola Theatre and RSC); The Border (Theatre Centre); Fantastic Mr. Fox (as Associate Movement Director, Nuffield Southampton and National/International tour); Hamlet, #DR@CULA! (Royal Central School of Speech and Drama); Bonnie & Clyde (UWL: London College of Music).

Other credits include: Intimacy support for Antigone, 101 Dalmatians, Legally Blonde, Carousel (Regent’s Park Open Air Theatre). Intimacy director for Girl on An Altar (Kiln Theatre)