Pamela Carter

Pamela is a playwright and dramaturg. Her plays include: Lines (Yard Theatre); Fast Ganz Nah/Almost Near (Theater Dresden); Skåne (Hampstead Theatre; winner of the New Writing Commission at the Berliner Festspiele Stückemarkt in 2012); What We Know (Traverse Theatre); Wildlife (Magnetic North Theatre Co). Her work with Stewart Laing includes: The End of Eddy, Slope, Paul Bright’s Confessions of a Justified Sinner, and An Argument About Sex (After Marivaux).

Since 2010 she has written for the internationally renowned Swedish artists Goldin+Senneby.  She also writes for dance and opera, and has recently adapted a Don Delillo short story for composer Lliam Paterson and Scottish Opera, and is currently writing a music theatre piece based on the true story of a group of London schoolboys lost in the Black Forest in 1936, for Theater Freiburg in Germany. As dramaturg and writer with Vanishing Point Theatre, she has made the award-winning InteriorsSaturday Night, and Tomorrow.

She has also made work for the National Theatre of Scotland, Scottish Dance Theatre, Traverse Theatre, Tramway, LIFT, the Young Vic, Hampstead Theatre, and Malmö Opera House amongst others.

 

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