Chris Copland

Chris graduated from Goldsmiths College with a MA Theatre Arts in 2001. He has worked extensively in theatre and dance since 1993.

He has worked as Production Manager for such companies as Bedlam Dance, Nigel Charnock, Ursula Martinez, Laila Diallo and Wendy Houstoun, and Flexer & Sandiland amongst many others.

Lighting design credits include Stupid Men, One Dixon Road, and Ten Men for Nigel Charnock; Ostrich for H2 Dance; Heart of Darkness and City of Tribes for Tavaziva Dance; Still for Candoco; My Stories Your emails, and Free Admission for Ursula Martinez; All Ears for Kate McIntosh; Pact with Pointlessness for Wendy Houstoun.

Chris also regularly lectures in acting and devising for the theatre.


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